Emerging Program Institute (EPI)

Event Date and Time
October 13, 2022 12:00pm - October 20, 2022 5:00pm EST

Virtual Event

Are you involved in launching or running a new artist residency program?

The 2022 Emerging Program Institute (EPI) is designed to help you create and sustain inclusive, just, joyful, and accessible artist residencies.

This three-day intensive includes faculty-led sessions, artist presentations, interactive exercises and group discussions to provide attendees with the strategies, tools and networks to develop and strengthen all elements of their program utilizing ACA’s Five Pillars of Healthy Residency Framework: Identity, Program Design, Operational Excellence, Resource Development, and Stewardship.

Topics explored during EPI sessions include:

  • Community engagement and relevance of place;
  • Resource-building to sustain residency programs;
  • Equity and access in artist outreach and selection; and
  • Business planning and ongoing assessment

Guest Faculty

  • Violet Brooks, Director of Community Engagement, Protohaven
  • Chyla Graham, CPA, President, CNRG Accounting Advisory
  • Brandon Gryde, Director of Presenting & Multidisciplinary Works and Artist Communities, NEA
  • Brea M. Heidelberg, PhD, ISO Arts Consulting
  • Amanda Kik, Crosshatch Center for Art & Ecology, Co-founder & Co-director
  • Faythe Levine, Arts Consultant
  • Mollie Quinlan-Hayes, Arts Consultant
  • Jennifer Shropshire, Shropshire Nonprofit Consulting, LLC, Principal
  • Thaddeus Squire, Social Impact Commons, Chief Commons Steward
  • Jennie Terman, Artist Communities and Presenting & Multidisciplinary Works Specialist, NEA
  • Aisha N. White, Nailah Studio, Arts Organizer

Spotlight Artists

  • Adam Chau, Artist
  • Haus of Glitter, Dance Company + Performance Lab + Preservation Society
  • Jordan/Martin Hell, Artist, Writer + Scholar

 


 

Programming for this three day intensive event runs:

October 13th from 12:00 - 2:00pm ET, October 19th from 12:00 - 5:00pm ET, October 20th from 12:00 - 5:00pm ET

Registration closes on October 7, 2022

Learn more about Emerging Program Institute (EPI).

 


 

If you are an ACA Member, please contact us for the promo code to access your member-discounted tickets at registration@artistcommunities.org
 

Alumni Engagement Coordinator

The Center for Craft is a national non-profit organization located in Asheville, North Carolina whose mission is to resource, catalyze, and amplify how and why craft matters. We increase access to craft by empowering artists, organizations, and communities through grants, fellowships, and programs that bring people together. Our grant programs provide funding and professional development opportunities that resource craft artists and practitioners. Our public galleries educate our audiences about the materials, processes, skills, and research that define craft.

Contact Name
Jena Gilbert-Merrill
Contact Email Address
jmerrill@centerforcraft.org
Type of Employment
Part-time
Type of Role
Coordinator
Salary Level or Range
$23/hour
This is a remote position
yes
Remote Details

This position may be remote or on-site in Asheville, North Carolina.

Location

Asheville, NC
United States

How to Apply

To learn more and apply for this position, please visit the link below.

URL to Job Post
Application Closing Date
Description and Qualifications

The Center for Craft seeks a new part-time Alumni Engagement Coordinator to build and deepen connections with a growing network of over 500 craft artists, curators, and scholars previously supported through the Center’s grant and fellowship programs. The position will be responsible for engaging recipients in a digital social platform and related programs.

Qualifications: 

  • Strong working knowledge of Arts Administration, Art History, Communications, or a related field and 2+ experience in a craft-, arts- and/or a community development-related work environment
  • Center for Craft alumni come from various geographic, socioeconomic, and cultural backgrounds, representing all forms of diversity. We seek a culturally competent candidate who will thrive in an environment that advances principles of social equity, inclusion, and equal access to resources and opportunities. All potential candidates must recognize diversity and inclusion as central to excellence.
  • Strong administrative and project management skills
  • Organized, self-motivated, and flexible planner capable of working independently and with a team 
  • Excellent verbal, written, organizational, and interpersonal communication skills, as well as comfort navigating a wide range of backgrounds and communication styles
  • Passion for community-, relationship-, and network-building, with strong customer service skills and intent to develop and maintain positive relationships
  • Creative thinking skills and a growth mindset
  • Advising and/or coaching skills preferred
  • Background in and passion for the arts; working knowledge of the craft field is preferred
  • Experience moderating engagement on digital social platforms is preferred but not required
  • Advanced computer knowledge required, including Google Drive, Microsoft Office, Zoom, Monday.com, and social media platforms. Familiarity with Mighty Pro apps is preferred.
  • If remote, the ability to work in Eastern Standard Time

Women's Studio Workshop: Parent Residency Grant

Associated Residency Program

The Parent Grant is a four-week residency for an artist with at least one dependent child under the age of 18. Artists may choose to work in any of our studio disciplines: intaglio, letterpress, papermaking, screenprinting, photography, or ceramics.

This grant includes a $1450 childcare stipend, up to $250 for travel costs, free onsite housing, and 24/7 studio access. WSW can also provide technical advice and production assistance.

The $1450 childcare stipend can be used at the artist’s discretion, though a childcare plan must be submitted with the application. Possible childcare scenarios include:

  • Bringing a caregiver or co-parent (must be 18+) to stay at WSW for the residency period
  • Finding a childcare facility near WSW
  • Locating individuals near WSW who can provide childcare
  • Paying for childcare at your family’s home base

If you plan to bring your child/children and are in need of childcare, WSW recommends using care.com to locate area providers. WSW cannot assist applicants in finding childcare options.

If your child/children are coming with you, WSW can provide a two-bedroom apartment (with one single bed, one double, and one single pull-out couch) that has a bathroom and an open kitchen/living area. The maximum occupancy is four. Please note that, for safety reasons and to maintain a focused working environment, children cannot be in the studios where artists are working.

Deadline
Residency Length
4 weeks - 4 weeks
Languages
English
Average Number of Artists in Residence at a Time
4
Collaborative Residency
Must apply and be accepted individually
Discipline
Book Arts
Interdisciplinary Arts
Multimedia Arts
Paper Arts
Printmaking
Visual Arts
Companions
Pets are not allowed
Country of Residence
Open to artists based anywhere in the world
Family Friendly
Spouses/partners allowed for full stay (non-collaborators)
Children allowed for full stay
Childcare stipend provided
Stage of Career
Any stage of career
Additional Expectations/Opportunities
Give artist talk or presentation
Accessible Housing
Partially Accessible (50% or more)
Meals Provided
Residents have access to shared kitchen
Residents have access to private kitchen
Studios/Special Equipment
Shared Studios
Exhibition / Installation Space
Darkroom (Black And White)
Darkroom (Color)
Large Format Printer / Plotter
Large Format Scanner
Printers + Scanner
Photo + Video Editing Suite
Printmaking Workspaces
Book Arts Facilities
Etching Press
Glass Inking Table
Drying Racks
Hot Plates
Paper Soaking Sinks
Paper Tearing Table
Acid Room
Silkscreen Studio
Light Tables
Large Sinks
Large Exposure Unit
Washout Room
Papermaking Studio
Dye Area
Other
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Type of Housing
Private housing on campus (individual apartment/cabin/house)
Additional Eligibility Information

Since our founding in 1974, Women’s Studio Workshop has been a professional artist studio dedicated to the creation of community, opportunity, empowerment, and development for women artists in all stages of their careers.  As we continue to serve this mission, we believe that we can honor our core values and address gender equity more fully by explicitly expanding our concept of gender beyond patriarchal frames of reference. 

WSW supports all women and trans, intersex, nonbinary and genderfluid people in residencies and internships. Classes, studio rentals, and public events are open to all.

What does this mean when you visit the studio and stay on campus? 

  • we intentionally create space to honor pronouns and names
  • we uphold a set of community guidelines and have systems in place to report conflict
  • we firmly believe in fostering an environment of communication, exploration, and bold expression that is respectful, safe, and accepting of all the members of our community.
Number of Artists Accepted in Most Current Year
2
Total Applicant Pool in Most Current Year
118
Artist Stipend
1450
US Dollar (USD)
Travel Stipend/Material Stipends
250
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/other Funding Support
0
US Dollar (USD)
Application Fee
0
US Dollar (USD)
Application Type
Open application

Photographer for Providence Commemoration Lab Photo Documentation

Funded by the Mellon Foundation and the American Rescue Plan, the Providence Commemoration Lab (PCL) is a program co-administered by The Department of Art, Culture and Tourism (ACT) and the Rhode Island Historical Society (RIHS).

The Providence Commemoration Lab will site and stage new, temporary projects that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation. Working with local artists, scholars, community stakeholders and neighborhood champions, ACT and the Rhode Island Historical Society have commissioned nine social practice/community-engaged artists to interrogate the ways that Providence constructs and share memory.

ACT and RIHS have commissioned nine Providence artists to interrogate the ways that Providence residents construct and share memory and culture at three distinct sites in South Providence: Columbus Square, Roger Williams Park, and Public Street. The PCL will site and stage new, temporary works on public properties that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation.

We anticipate that the Labs will be spaces where the community engagement process and culminating works challenge the stakeholder communities and the larger public to re-think not only whose stories get told, but how they get told – in what forms, using what media, and for what durations?

Contact Name
Ena Fox
Contact Email Address
efox@rihs.org
Type of Employment
Contract Work
Temporary
Type of Role
Other
Salary Level or Range
Submit Quote
This is a remote position
no
Location

Providence, RI
United States

How to Apply

Please submit your quote for the scope of work for one project site to:

Ena Fox
Director, Providence Commemoration Lab
efox@rihs.org

 

Project Sites: 

We will identify indoor Lab spaces at each of the three sites (Columbus Square, Public Street, and Roger Williams Park), where artists and community residents can gather for conversations, workshops, and other activities. The specific siting of new commemorative works will come out of the artists’ work with community residents and stakeholders.

  • Columbus Square is a small park at the intersections of Elmwood and Reservoir, which was the locus of controversy over a Christopher Columbus statue that has since been removed.
  • Public Street runs from Broad Street to the industrial waterfront that was once a thriving salt marsh along the Providence River. The site has multiple ecological, cultural, and economic development histories.
  • Roger Williams Park, the “people’s park, has numerous commemorative works scattered across its 102 acres of green space and is an important part of the area watershed.
URL to Job Post
Application Closing Date
Description and Qualifications

ACT and RIHS require a photographer or photographers to document the activities of the Providence Commemoration Lab (PCL), which will unfold in phases from Spring 2024 through Summer 2025. The Engagement, Design and Manifestation phases at all three sites will be the most important to document. We want to capture the artists’ engagement with communities—which could be meetings, art workshops, informal gatherings such as a picnic, creative interventions that produce spontaneous interactions, and more. Possible activities of the Design phase are charrettes and prototyping with community members, while the Manifestation phase includes artists creating final installations or productions, and the culminating public events where the commemorative works are “unveiled”, performed, or otherwise shared.

We expect photo documentation to provide images that will share the progress and excitement of the PCL in real time through the PCL website and to create a useful image archive for the Project.

The photo documentation will take place as needed over the 12-18 months of the PCL, determined by activities during key project phases. We would prefer to contract with the same photographer/s for the duration, so that they become familiar with the artists, project sites, and participating neighborhoods.

The photographer/s will work in concert with the artists and PCL Director to determine when they need to be present to document the activities of the three mentioned phases, understanding that all the activities will not need to be documented.

DELIVERABLES

  • Range of still images documenting the Providence Commemoration Lab activities, artists, community participants, and related events.
  • Images that are professionally edited and formatted for web or print use and delivered via online transfer or other means to be determined by the photographer/s in consultation with the PCL Director.
  • Images shall be delivered on a schedule over the course of the Project to be determined in consultation with the PCL Director.

COMPENSATION and TIME COMMITMENT

We estimate 70 to 90 hours of work total per project site over the course of three PCL phases. The photo documentation time per site may be fewer or more hours, depending on the site, as there may be multiple locations at two of the sites. We anticipate that the photographer will spend 10 hours per week to document activities during each of these phases as follows:

  • 3 weeks during Engagement
  • 2-3 weeks during Design
  • 2-3 weeks during Manifestation

The photographer will receive three payments on a schedule that coincides with the above project phases, upon completing deliverables and submitting an invoice for each phase. These payments will be issued on or about the following dates:

August 15, 2024
November 15, 2024
July 15, 2025

Photographer for Providence Commemoration Lab Photo Documentation

Associated Organization

Providence Commemoration Lab

Location

444 Westminster St.
Providence, RI 02903
United States

The Providence Commemoration Lab will site and stage new, temporary projects that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation. Working with local artists, scholars, community stakeholders and neighborhood champions, ACT and the Rhode Island Historical Society have commissioned nine social practice/community-engaged artists to interrogate the ways that Providence constructs and share memory.

Opportunity Type
Other
Opportunity Description

Funded by the Mellon Foundation and the American Rescue Plan, the Providence Commemoration Lab (PCL) is a program co-administered by The Department of Art, Culture and Tourism (ACT) and the Rhode Island Historical Society (RIHS).

ACT and RIHS have commissioned nine Providence artists to interrogate the ways that Providence residents construct and share memory and culture at three distinct sites in South Providence: Columbus Square, Roger Williams Park, and Public Street. The PCL will site and stage new, temporary works on public properties that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation.

We anticipate that the Labs will be spaces where the community engagement process and culminating works challenge the stakeholder communities and the larger public to re-think not only whose stories get told, but how they get told – in what forms, using what media, and for what durations?

 

ACT and RIHS require a photographer or photographers to document the activities of the Providence Commemoration Lab (PCL), which will unfold in phases from Spring 2024 through Summer 2025. The Engagement, Design and Manifestation phases at all three sites will be the most important to document. We want to capture the artists’ engagement with communities—which could be meetings, art workshops, informal gatherings such as a picnic, creative interventions that produce spontaneous interactions, and more. Possible activities of the Design phase are charrettes and prototyping with community members, while the Manifestation phase includes artists creating final installations or productions, and the culminating public events where the commemorative works are “unveiled”, performed, or otherwise shared.

We expect photo documentation to provide images that will share the progress and excitement of the PCL in real time through the PCL website and to create a useful image archive for the Project.

The photo documentation will take place as needed over the 12-18 months of the PCL, determined by activities during key project phases. We would prefer to contract with the same photographer/s for the duration, so that they become familiar with the artists, project sites, and participating neighborhoods.

The photographer/s will work in concert with the artists and PCL Director to determine when they need to be present to document the activities of the three mentioned phases, understanding that all the activities will not need to be documented.

Deadline
Discipline
Photography
Writing
Stage of Career
Any stage of career
Country of Residence
Only open to artists based in country the program is located
Additional Eligibility Information

DELIVERABLES

  • Range of still images documenting the Providence Commemoration Lab activities, artists, community participants, and related events.
  • Images that are professionally edited and formatted for web or print use and delivered via online transfer or other means to be determined by the photographer/s in consultation with the PCL Director.
  • Images shall be delivered on a schedule over the course of the Project to be determined in consultation with the PCL Director.
Additional Expectations/Opportunities
Other
Application Type
Open application
Application Materials

Please submit your quote for the scope of work for one project site to:

Ena Fox
Director, Providence Commemoration Lab
efox@rihs.org

Application Fee
0
US Dollar (USD)
Artist Stipend or Award
1
US Dollar (USD)
Additional Award Information

We estimate 70 to 90 hours of work total per project site over the course of three PCL phases. The photo documentation time per site may be fewer or more hours, depending on the site, as there may be multiple locations at two of the sites. We anticipate that the photographer will spend 10 hours per week to document activities during each of these phases as follows:

  • 3 weeks during Engagement
  • 2-3 weeks during Design
  • 2-3 weeks during Manifestation

The photographer will receive three payments on a schedule that coincides with the above project phases, upon completing deliverables and submitting an invoice for each phase. These payments will be issued on or about the following dates:

August 15, 2024
November 15, 2024
July 15, 2025

 

Please submit your quote for the scope of work for one project site to:

Ena Fox
Director, Providence Commemoration Lab
efox@rihs.org

Additional Accessibility Information

Please reach out to Ena Fox, Director of the Providence Commemoration Lab with any questions. 

Accessibility Contact Email
Accessibility Contact Name
Ena Fox

Writing Residency

Associated Organization

Providence Commemoration Lab

Location

444 Westminster St.
Providence, RI 02903
United States

The Providence Commemoration Lab will site and stage new, temporary projects that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation. Working with local artists, scholars, community stakeholders and neighborhood champions, ACT and the Rhode Island Historical Society have commissioned nine social practice/community-engaged artists to interrogate the ways that Providence constructs and share memory.

Opportunity Type
Other
Opportunity Description

The Providence Commemoration Lab Writing Residency is a nine-month program that complements the Providence Commemoration Lab (PCL). The Residency will commission, support, and publish exploratory and place-based arts writing from three authors, writing in dialogue with the Lab’s nine site-specific engagements in Providence. Dr. Liz Maynard will serve as the facilitator and editor in the co-creation of an interdisciplinary and emergent residency process and publication.

ACT and RIHS will commission three authors to write three texts each that address different stages of the PCL’s artists’ process over the course of their 2024-2025 fellowships: development/design; production/implementation; and presentation to the public of the works. The artists will site and stage new, temporary projects on public property that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation at Columbus Square, Roger Williams Park, and Public Street. More information about the PCL can be found here. Residency authors’ correlative work will serve as archival “documents” of the process and offer critical perspectives on and interpretations of the work. 

The Residency is place-based and durational; each author is linked to one of the three sites and research, writing and publication will align with the unfolding timeline of the PCL artists. It includes a $10,000 stipend paid out in conjunction with publication in three stages. The Residency is conceptualized and facilitated by Liz Maynard, art historian, educator, writer, and editor, to support and expand arts writing (adventurously conceived) in Providence through a collaborative and community-driven model.

The primary goal of the Commemoration Conversations Writing Residency is to create a platform for writers to explore expansive definitions of arts writing. The Commemoration Lab encourages Providence residents to own and be accountable to new commemorative traditions. Writing is yet another way to explore by whom, for whom, and how stories get told, and also, by extension, how history is written.

The primary intended beneficiaries of this project are members of the Providence arts community, whose practices and impact are insufficiently documented or treated with much deserved critical attention. The producers hope that the Residency will foster arts writing in the “creative capital” for the benefit of artist practitioners in all media as well as writing as its own rich art form. Fostering a varied arts discourse in Providence broadens public conversations around our shared spaces.

Ultimately, the Residency aims to bolster arts infrastructure in Providence. PCL’s intention is to activate neighborhood stakeholder groups and encourage civic participation. Building a discourse and an archive of arts writing offers another way for Providence’s publics to engage vital questions about community, memory, and history in a processual and relational container. We hope this endeavor will generate momentum for others to support arts writing as meaningful cultural production in Providence.

Residency authors will write three texts each, addressing three different stages of the Lab artists’ work over the course of their 2024-2025 fellowships: development/design; production/implementation, and presentation to the public of the works. These texts will be published in three stages, contingent on and correlative with the ongoing schedule of the Lab. We envisage the development and publication of these texts as mirroring the iterative and collaborative ethos of the Commemoration Lab.  

 In support of fostering an expansive definition of “arts writing,” each writer will be supported as they explore three distinct formats:  

  • a long-form (4,000-5,000 words), research-driven text, that examines the site, including (but not limited to) its history, publics, and the structure of the Commemoration Lab;
  • an interpretive prose/poetry piece (a collection of poems, illustrations, evocative text etc.) illuminating some facet of the site/work explored in the long-form text; and 
  • a collaborative text that includes the voices of the artists and community members of the site and situates the artists/work in its place and amongst its publics.  

The texts will be hosted on the Providence Commemoration Lab website and printed in a less media-rich format in a commemorative publication to be shared with Lab participants, libraries and archives. Illustrations and multimedia activations of the text are encouraged and supported.

Deadline
Discipline
Writing
Stage of Career
Any stage of career
Country of Residence
Only open to artists based in country the program is located
Additional Eligibility Information

To apply, email PCLWritingResidency@gmail.com with the subject line “Residency Application” by 11:59 PM, June 7, 2024.

Submission Checklist:

Please attach each file with your name and document as the file name (for example “name coverletter.pdf” or “name sample1.pdf”)

Cover Letter of 1-2 pages:

Please tell us what excites you about the Commemoration Lab and the Writing Residency? How do you see yourself positioned to succeed in the proposed role? If you have a preference, please speak to your interest to work at any of the three PCL sites. Please review the eligibility section and speak to these qualifiers as part of your cover letter.

How do you understand the form and function of writing in cultivating the arts community? What is your experience with and interest in writing in different formats? What are you interested in exploring in your own writing practice? 

CV/Resume and References:  

A resume/CV of no more than 3 (three) pages in length.

Your resume must include three professional/personal references. You should include the references’ names, contact information, and position.

A portfolio of 3 to 5 writing samples:

For each writing sample submitted, the following should be included:

  • Title
  • Year of completion
  • Brief description of text (100 words or less); please include the genre (exhibition review, prose, poem, academic text, news article, etc.) commissioning/publishing entity (if applicable), and state your role in the creation of the artwork if other authors/artists were involved in its creation.

A publication sample is not required for its inclusion in the portfolio. Cumulative texts should not exceed 5000 words. Consider submitting a variety of lengths and formats to demonstrate range.

Additional Expectations/Opportunities
Donate a work of art
Participate in public programming
Give artist talk or presentation
Other
Application Type
Open application
Application Materials

Please see our FAQ, which will be updated until noon May 24th. To submit questions to the FAQ please contact Editor Liz Maynard at PCLWritingResidency@gmail.com with the email subject “Residency FAQ.” An info session for interested parties will take place at noon on May, 25 2024. To participate, send an email with the subject heading “Residency Info Session” to PCLWritingResidency@gmail.com

Upon award notification and acceptance, the author shall sign a contract with the City and RIHS for the activities outlined below:

  • Participate in regularly scheduled check-ins with the Residency Editor.
  • Attend methodology workshops and two cohort meetings for mutual writing and revision support. 
  • Attend community engagement activities of their particular site, as artists will be immersing themselves with their site’s stakeholder communities to develop and lead arts-based organizing strategies.
  • Engage with Commemoration Lab artists to understand the processes by which they create their place-based works.
  • Participate in an unveiling and dedication ceremony in summer 2025.

Each writer will receive a $10,000 stipend to support the research, writing, and revision process, with an up-front award of $1000 and then $3,000 disbursed with the publication of each of the three works. Publication on the Providence Communication Lab website is contingent upon editor approval. 

Application Fee
Artist Stipend or Award
10000
US Dollar (USD)
Additional Award Information

Upon award notification and acceptance, the author shall sign a contract with the City and RIHS for the activities outlined below:

  • Participate in regularly scheduled check-ins with the Residency Editor.
  • Attend methodology workshops and two cohort meetings for mutual writing and revision support. 
  • Attend community engagement activities of their particular site, as artists will be immersing themselves with their site’s stakeholder communities to develop and lead arts-based organizing strategies.
  • Engage with Commemoration Lab artists to understand the processes by which they create their place-based works.
  • Participate in an unveiling and dedication ceremony in summer 2025.

Each writer will receive a $10,000 stipend to support the research, writing, and revision process, with an up-front award of $1000 and then $3,000 disbursed with the publication of each of the three works. Publication on the Providence Communication Lab website is contingent upon editor approval. 

Additional Accessibility Information

An info session for interested parties will take place at noon on May, 25 2024. To participate send an email with the subject heading “Residency Info Session” to PCLWritingResidency@gmail.com

Accessibility Contact Email
Accessibility Contact Name
Liz Maynard

Providence Commemoration Lab

Location

444 Westminster St.
Providence, RI 02903
United States

The Providence Commemoration Lab will site and stage new, temporary projects that invite unexpected ways of understanding commemoration as a communal process of historical redress and spatial reclamation. Working with local artists, scholars, community stakeholders and neighborhood champions, ACT and the Rhode Island Historical Society have commissioned nine social practice/community-engaged artists to interrogate the ways that Providence constructs and share memory.

Phone

Executive Director

In 1977, the Black Theatre Alliance was founded by Abena Joan Brown, Okoro Harold Johnson, Useni Perkins, and Pemon Rami focused on providing resources, community support, and visibility for the Black Theater in Chicago. In 1990, the Black Theatre Alliance changed its name to the African American Arts Alliance to expand its reach in the arts community however, they ceased operations shortly thereafter. Seeing a gap and a great need for community interaction and development, Jackie Taylor, Joan Gray, Chuck Smith, and Ron O.J. Parsons came together and, in 1997, incorporated a new African American Arts Alliance to continue the work of the original Alliance to serve the needs of Black performing, visual, literary, technical and design art forms. Since then, these incredible leaders and artists cultivated and supported Black artists and organizations by providing programs and services to increase the interaction, collaboration, and communication within the Black Arts Community. The vision that these leaders saw is why we are here today. In the same way that they were the voice of the time for our community, the board of directors was ready to pass on the torch of leadership to continue the legacy of the Alliance for the next generation. The new President and Vice-President of the Black Arts & Culture Alliance of Chicago are Charlique C. Rolle and Vershawn Sanders-Ward, respectively.

Type of Employment
Full time
Type of Role
Leadership or Executive-level
Salary Level or Range
$75,000-$85,000
This is a remote position
no
Location

Chicago, IL
United States

How to Apply

Apply at this link below.

URL to Job Post
Application Closing Date
Description and Qualifications

Our Executive Director will be truly exceptional on two related fronts – successful fundraising and vision execution and resourceful nonprofit leadership.

We're seeking someone with a proven track record of securing grants and donations, transforming vision into tangible impact. Your success in navigating the complexities of fundraising will be instrumental in fueling our growth and empowering us to realize our ambitious goals.

As a seasoned leader in nonprofit management, you'll thrive in an environment where resourcefulness is paramount. With experience managing small budgets, you'll wield your financial acumen to maximize every dollar, ensuring our initiatives are executed efficiently and efficaciously.

Your mastery of marketing will be a game-changer, amplifying our message and attracting support from donors and partners alike. Drawing upon your working knowledge of grant writing and fundraising principles, you'll work with the team to craft compelling proposals that captivate hearts and minds, forging lasting connections with our supporters.

Your ability to conceptualize and implement innovative strategies for donor identification and cultivation will set us apart, propelling us toward new heights of success. With excellent written and oral communication skills, you'll work with the team to articulate our vision with clarity and conviction, inspiring action and igniting change.

Your interpersonal skills will be invaluable as you collaborate harmoniously with colleagues, artists, leaders, donors, and volunteers alike. Together, we'll harness the power of collective action to create a brighter future for all.

 

What Our Executive Director Will Handle Directly
The BACA Chicago team brings many capabilities to the table, but there are specific tasks and responsibilities that our Executive Director will have to handle personally.

These include:
As the chief administrator of the BACA Chicago, the Executive Director embodies inspired leadership and unwavering commitment to our mission. With a relentless focus on efficiency and effectiveness, they steer the organization in alignment with the visionary policies set by the Board of Directors.

At the helm of fundraising and development efforts, the Executive Director charts a bold course toward our collective aspirations, setting priorities for both the short and long term. They provide visionary guidance, oversee financial operations, and foster seamless communication with the Board, the cultural community, and the artistic community. Through strategic integration and coordination of activities, they propel us toward the realization of our strategic goals with unparalleled cohesion.

Central to their role is the development and execution of a comprehensive fundraising strategy that serves as the lifeblood of our organization. With a hands-on approach, the Executive Director spearheads day-to-day operations, driving forward programming, marketing, and financial oversight with precision and purpose. They are at the forefront of proposal writing, crafting strategic long-term and annual fundraising plans, and evaluating progress toward our goals.

Moreover, the Executive Director cultivates and stewards relationships with major donors, embodying the essence of philanthropy and generosity. They forge meaningful connections with our membership, fostering a sense of belonging and community while devising innovative strategies to attract new members to our cause.

In their tireless pursuit of excellence, the Executive Director embodies our values, propelling us toward a future where the arts thrive and our collective vision becomes a vibrant reality.

Monira Residencies, Jersey City

Associated Residency Program

Monira Foundations Artist in Residence Program supports established artists who work in any visual arts media for 1 year residencies. All applicants must be at least 21, American citizens or residents of the United States during the residency period, not be enrolled in a degree-granting program or other residencies at the time of their residency, and be able to demonstrate an understanding of our program. We encourage artists working in all visual media to apply.

Selected Artists will have access to a private studio that is about 500 square feet. Each space has a sink and basic studio equipment like a work table and chairs. The spaces are adaptable to artists’ needs with multiple electrical outlets and internet access. There is also a shared kitchen space onsite. 

In addition to much-needed physical space, residents will receive honorariums and visits from artists, curators, critics, and collectors at specific points during their residency. For the 2024-25 cycle the honorarium is $1250. 

Residencies begin at different times throughout year, with the earliest start in 2024 will be November, with others January, February, April and July 2025. the program year. The earliest start in 2024 will be December with other through July 2025. 

 

Deadline
Residency Length
1 year - 1 year
Languages
English
Average Number of Artists in Residence at a Time
5
Collaborative Residency
May apply as a team
Discipline
Digital Media
Drawing
Installation Arts
Interdisciplinary Arts
Mixed Media
Painting
Printmaking
Sculpture
Visual Arts
Companions
N/A
Country of Residence
Only open to artists based in country the program is located
Family Friendly
N/A
Stage of Career
Established
Additional Expectations/Opportunities
Donate a work of art
Participate in public programming
Accessible Housing
N/A
Meals Provided
N/A
Studios/Special Equipment
Private Studios
Exhibition / Installation Space
Studios/Facilities Accessibility
ADA Compliant
Type of Housing
N/A
Additional Eligibility Information

In each application we ask you to provide an artist statement (150 words),  tell us why are you interested in the Monira Residencies Program (250 words), and to submit 5 images of your work. It can be in any media, though note that our program best serves visual art practices. No composite images or files with multiple images will be accepted.  Images and statements cannot  have artist names or identification on them.Image Descriptions should include title, media, year, and description.  Our aim is to keep this application equitable and heavily focused on the work submitted. Reviewers will not see applicant names during the process and only have access to the artist statement, the program statement and the portfolio.

Each application will also ask for general information and a recent resume for internal use only. Please make sure your Slideroom account is up to date when submitting as we rely on their system to communicate during this process.

The Monira Foundation will convene a panel of arts professionals from New Jersey and New York to select the 5 artists for the upcoming year. This panel will only be announced after the each cycle (8-10 weeks after the open call ends) and will change each year. For application questions please contact Anne Muntges at anne@monirafoundation.org

Jurors look for

1. Artistic Excellence, work that is compelling with a distinct voice and vision.

2. Evidence of Commitment, A history of active engagement in creating artwork and presenting it publicly

3. Impact: Will this residency help the artist further their practice and/or career.

4. Engagement: Will artist participating engage with the community at the Monira Foundation and the general public through studio visits and community programming.

 

Number of Artists Accepted in Most Current Year
5
Total Applicant Pool in Most Current Year
175
Artist Stipend
1250
US Dollar (USD)
Travel Stipend/Material Stipends
0
US Dollar (USD)
Residency Fees
0
US Dollar (USD)
Grant/Scholarship/other Funding Support
0
US Dollar (USD)
Application Fee
15
US Dollar (USD)
Application Type
Open application

La Porte Peinte: Open Call for August 2024

Associated Residency Program

La Porte Peinte is an international arts centre located in Noyers sur Serein, a medieval village in Burgundy that is celebrated as one of the 100 most beautiful villages in France. Nestled within an elegant curve of the Serein river, the medieval cité of Noyers sur Serein sits in a pastoral northern Burgundy landscape of cherry trees, wheat fields, rolling meadows, forests and world-renowned vineyards. Deer, wild boar, pheasants and foxes roam the countryside, which is dotted with storied châteaux, quaint market towns and centuries-old stone abbeys. The UNESCO heritage site Vezelay is 30 minutes away.

Based in a rambling medieval half-timbered building that leans out over the village square like something from a fairy tale, La Porte Peinte offers artists, makers, musicians and writers in residence the opportunity to engage in creative exploration and exchange in an unusually inspiring and supportive environment. Doors opened in September 2011 with the first artists in residence and the launch of the 160 m2 ground-floor gallery, followed later by the opening of a café and a shop. La Porte Peinte’s five comfortable bedrooms are supplemented by four bedrooms in a nearby annex, another imposing and atmospheric medieval house. There are eight private studio spaces, along with workshop spaces and event spaces that are available for classes and performances. Along with residency accommodation, each creator in residence chooses from among those available the private studio space

Residency Length
2 weeks - 6 months
Languages
English
French
Other
Average Number of Artists in Residence at a Time
5
Collaborative Residency
May apply as a team
Discipline
Acting
Animation
Architecture
Art Conservation
Art History
Book Arts
Choreography
Costume/Fashion Design
Criticism
Dance
Digital Media
Documentary
Drawing
Ecology
Electronic Arts
Environmental Arts
Environmentalism/Conservation
Fiction
Film
Graphic Design
Illustration
Industrial Design
Installation Arts
Interdisciplinary Arts
Journalism
Literature
Literary Nonfiction
Mixed Media
Moving Image
Multimedia Arts
Music
New Genres
Nonfiction
Painting
Paper Arts
Performance Art
Photography
Playwriting
Poetry
Screenwriting
Sculpture
Social Practice
Sound Art
Storytelling
Theater
Translation
Visual Arts
Writing
Companions
N/A
Country of Residence
Open to artists based anywhere in the world
Family Friendly
Spouses/partners allowed for full stay (non-collaborators)
Children allowed for full stay
Stage of Career
Any stage of career
Emerging
Mid-career
Established
Additional Expectations/Opportunities
Give artist talk or presentation
Other
Accessible Housing
Partially Accessible (50% or more)
Meals Provided
Residents have access to shared kitchen
No meals are provided
Studios/Special Equipment
Private Studios
Exhibition / Installation Space
Performance/Presentation Facilities
Darkroom (Black And White)
Painting Workspace (Oil)
Easels
Studios/Facilities Accessibility
Partially Accessible (50% or more)
Type of Housing
Private housing on campus (individual apartment/cabin/house)
Private bedroom in a shared housing facility on campus
Additional Eligibility Information

We welcome artists, performers, writers, musicians, filmmakers, photographers, and creative thinkers. Collaborative groups and partnerships are welcome to apply. While most residencies are artist-funded, we also offer a limited number of fully and partially funded residencies. We offer occasional themed and partnership residencies, and we are delighted to offer family residencies during specific periods. (Unless specified as a family residency, usually it is preferable for a resident not to be accompanied by a non-working companion, but we will consider such requests. If an artist wishes to bring a child but not as part of a family residency, we would endeavour to arrange for full-time child-care, for which there would be a supplementary fee.)
 

In addition to our core self-directed residency programme, we offer individually tailored mentored residencies for artists, writers and creators of any age.

Number of Artists Accepted in Most Current Year
10
Total Applicant Pool in Most Current Year
30
Artist Stipend
0
Euro (EUR)
Travel Stipend/Material Stipends
0
Euro (EUR)
Residency Fees
1600
Euro (EUR)
Fee Details

The cost for a residency is €1600, €1900, €2000, or €2200 per person per month*. The difference in cost is linked to the choice of bedroom. The fee includes all utilities costs, accommodation, studio space, use of the well-equipped and spacious communal kitchen and laundry facilities, wireless internet and printer.

*Contact us for information on costs for periods of less than a month.

Grant/Scholarship/other Funding Support
0
Euro (EUR)
Grant/Scholarship/Other Funding Support Details

Each year we aim to offer several fully funded and partially residencies to individuals who would otherwise not be able to participate. La Porte Peinte USA, as a non-profit branch of the larger LPP project, aims to widen the field of opportunity to increase diversity, with a focus on individuals or groups who might otherwise lack access to such resources, e.g., artists affected by war, natural disasters, economic hardship or any form of discrimination. LPP USA aims to actively seek out such artists wherever in the world they may be, and to extend support to them through residencies, masterclasses, collaborations, or exhibitions. Areas of specific focus include film, photographic and written reportage that promotes global awareness and understanding; applied art that brings traditional techniques together with contemporary concerns, materials and methods; sustainable design; creative work by women; emerging artists of all ages; and African, Haitian, and Latin American practitioners, among others.

Application Fee
0
Euro (EUR)
Application Type
Open application